REVIEW: Taking Liberties by Diana Norman

by Avid Reader on January 26, 2006

in Book Reviews, Fiction, Grade B Reviews

Diana Norman’s sec­ond book, Tak­ing Lib­er­ties, fea­tur­ing Make­peace Burke is described this way:

In the chaos of wartime Ply­mouth, in the early days of the Amer­i­can Rev­o­lu­tion, two women come together in their search for miss­ing loved ones. Together they face social out­rage, pub­lic scan­dal, and even arrest. Amidst docks and pris­ons, gov­ern­ment bureau­cracy and broth­els, they forge an unlikely and unshak­able friendship. And in free­ing oth­ers, they dis­cover their own splen­did liberty.

Taking Liberties by Diana NormanYeah, their “splen­did lib­erty” was the many var­i­ous ways they could break the law but I digress.Where does one even begin? I was slightly dis­ap­pointed in Tak­ing Lib­er­ties where the writ­ing is trade­mark Diana Nor­man but the story was pretty thin in some places but some parts of the book was cap­ti­vat­ing. Tak­ing Lib­er­ties story starts when Make­peace Hedly learns that her daugh­ter is miss­ing after leav­ing from Amer­ica to avoid war. Unfor­tu­nately the cor­re­spon­dence doesn’t reach Make­peace until four months after the fact. So, she goes in search of her daughter.  

Enter Count­ess Diana Stacpoole. A widow whose free­dom is gained after the death of a sadis­tic hate­ful, spite­ful hus­band. She decides to act on behalf of a friend whose son is a pris­oner of war. To make her­self use­ful, Count­ess Diana plans to find the boy and offer to exchange him. She faces oppo­si­tion from her son and daughter-in-law. She is at once stung with the knowl­edge that her rela­tion­ship with her son is almost nonex­is­tent and that she feels she is dis­placed and of no impor­tance to those around her. The need to leave cou­pled with the fact that she is needed by some­one else is a tempt­ing draw for her since her time is now her own to do with as she pleases. While mar­ried, she was her husband’s care­taker despite his abu­sive behav­ior toward her, she took care of his sorry ass until he died.  Diana’s deci­sion to help her friend Martha find her son causes some ten­sion between Diana and her son, Robert.  Alas, she leaves and makes an adventure.

Mean­while Make­peace, in her jour­ney to find her daugh­ter crosses paths with Diana. The ladies despise each other on sight. Make­peace comes off many a time as abra­sive and unlik­able to me. She has a lot of rough edges that were not as promi­nent to me in A Catch of Con­se­quence. It’s as if with­out her hus­band, Andra, she has no man­ners and acts impul­sively and unwisely at times that it is often annoy­ing. Upon find­ing her daugh­ter, Make­peace learns that Josh has also been cap­tured as well. Josh is the son of Betty, her for­mer black house­keeper who died in Boston. Diana and Make­peace even­tu­ally come to a truce when they both need each other. I despised Makepeace’s meth­ods in gain­ing the upper hand over Diana with her wealth. I really didn’t like Make­peace Hedly much in Tak­ing Lib­er­ties. And their open dis­re­gard for the law was also some­what hard to swal­low at times. Make­peace I could under­stand but for Diana it didn’t fit. Diana had a fam­ily his­tory of smug­gling and scan­dal and she reluc­tantly embraces it. I didn’t find it believ­able due to her sta­tion in life where the very peo­ple that she social­ized with wrote the laws to begin with.

Any­way, mov­ing on. There really wasn’t much of a romance and I wasn’t expect­ing one. This is about the two hero­ines and their jour­ney of inde­pen­dence, sorta speak. The hero was basi­cally non-existent in here or not as mem­o­rable as say Archibald Cameron (Blood Royal) or Henry King (The Vizard Mask). Or Phillip Dapifer from A Catch of Con­se­quence. It’s not a romance but usu­ally Nor­man has a promi­nent rela­tion­ship in here but the story kind of veered all over the place.

That part that cap­ti­vated me was Diana’s work in the hos­pi­tal car­ing for the prisoners.I had only two book darts in favorite places. Diana decides to help clean up the Mil­bay hos­pi­tal for the pris­on­ers there who were dying on a reg­u­lar basis due to lack of TLC. That part of the novel was rather inter­est­ing to read about the inner work­ings of the hos­pi­tal for pris­on­ers of war.  Nor­man spent a good deal of the novel on Josh’s escape plan and vis­it­ing with the smug­glers of Babb’s Cove and their con­stant resis­tance against their gov­ern­ment. I’ve since reread this book and ini­tially didn’t care for the first time I read it as I felt it wasn’t as strong story/character wise as her pre­vi­ous nov­els. Upon reread­ing it, I did like it much, much bet­ter. I must have been PMS’ing or something. I rec­om­mend this book to his­tor­i­cal buffs. The story, the char­ac­ters, plot and his­tory cap­ti­vated me as only Diana Nor­man can — very good book.

For Fur­ther Reading

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